Thursday 8 October 2009

GCSE English Literature : An Inspector Calls


Eva's letterThe Inspector tells Mr. Birling that Eva Smith/Daisy Renton “left a letter…and a sort of diary”. The letter could be to her nearest relative or to Gerald Croft. Write - as you imagine Eva would have done - the letter and diary entries (between 1910 and 1912) for the key events in her life, from her starting to work for Birling & Co. to her suicide.

Year and month : What happens

September 1910 : Eva sacked by Birling & Co.
December 1910 : Eva employed by Milwards.
Late January 1911 : Eva sacked by Milwards.
March 1911 : Eva becomes Gerald's mistress.
Early September 1911 : Gerald breaks off the affair.
Eva leaves Brumley for two months.
November 1911 : Eric meets Eva.
December 1911/January 1912 : Eva finds she is pregnant.
Late March 1912 : Mrs. Birling turns down Eva's application for help.
Early April 1912 : Eva's suicide/the Inspector calls*
(*Dated by Titanic's maiden voyage.) The diary is also mentioned on pages 179 and 193 (Penguin edition).
Who is to blame?
Who is to blame for Eva's death? Consider how each of the Birlings and Gerald Croft influences what happens to Eva - what part does each play in the chain of events leading to her death?
Give an account of this chain of events in the order in which each event occurs (see dates above).
Say how far each character is at fault for what he or she has done to Eva.
Then judge how far each is right or wrong in his or her attitude now to what was done - admitting or denying guilt.
In conclusion, try to assess how responsible, and how ready to admit responsibility, each of the five is.
Is there any connection between the age of each character and his or her readiness to accept blame?


Responsibility
The most important theme of the play, it could be argued, is responsibility.
See how often the words “responsible” and “responsibility” appear, and in what senses.
At the beginning of the play Mr. Birling gives his (limited) view of responsibility in a long speech. Mr. Birling's definition of responsibility is immediately followed by the arrival of the Inspector. The Inspector gives his (very wide) explanation of responsibility immediately before he leaves.
Comment on these speeches and compare them.

Consider how Mr. Birling's comments reveal his views:
How do Mr. Birling's earlier comments on the unlikelihood of war, the probable success of capitalists in eliminating strikes and on the unsinkability of the Titanic affect our view of what he says on responsibility? (The play's audience, in 1946, would be aware of two world wars, the General Strike and the sinking of the Titanic).
Is Mr. Birling a “hard-headed” businessman, as he claims, or a “hard-hearted” character?

In 1912 there was no welfare state in Britain. Poor people often depended on charity. But wealthy people, such as Mrs. Birling, in the play, usually controlled the charity.
Does Mrs. Birling, in her work for the Brumley Women's Charity Organisation act out of a sense of responsibility or a desire to be seen to be charitable?
Where does she claim the responsibility for Eva Smith and her unborn child lies?
How is she shown to be wrong?



Show how the Inspector demonstrates by bringing out Eva's dealings with the Birlings and Gerald, that his view, not Birling's is right.
What are the “fire and blood and anguish” he refers to in his final speech?
What point is Priestley making by placing this line in a play published in 1946?

The Inspector's identity may affect how we view his comments.
How is our view of the Inspector's statements affected by his apparently supernatural character?
Comment on his claim that “we are members of one body”.
After he leaves, says the Inspector, the Birlings and Gerald can divide responsibility among themselves.
How do they apportion blame when he leaves?
Is Birling concerned about the same things that worry Sheila and Eric?

Sheila is worried earlier in the play by her mother's self-righteous denial of blame. After the Inspector goes she is worried by the attempt to dismiss his visit as a mere practical joke.
Consider the idea that the Inspector, by his visit, gives the family a second chance which is lost by the failure of the majority to learn their lesson.
How significant in determining the play's conclusion is Gerald's eventually siding with the view of the parents (The Inspector has foreseen a suicide about to happen. They may, by a change of heart, prevent it - but the chance is missed and the suicide occurs).

Who is the Inspector?Who or what is the Inspector? In the text there are many clues. Examine each of these and try to interpret it. Write an essay, discussing how these clues and the Inspector's general behaviour contribute to the audience's idea of who he is and how correct his statements are.
The clues are:
The timing of his entry (noted by Eric);
His method of working: “one person and one line of enquiry at a time” (A policeman would not insist on this. A real policeman would interview people alone. This Inspector already knows; he wants the others to see what they have done.)
His asking Birling why he refused Eva's request for a pay rise.
His statement that it is his duty “to ask questions”.
His saying that he never takes offence.
His statement that he does not see much of the chief constable.
His failure to be alarmed by Birling's threats.
His reply to Birling's question: “You sure of your facts?” - “Some of them - yes”. Not all, because not all have happened yet: Eva Smith has not yet killed herself, it would seem.
His concern for moral law not for criminal law.
His statement: “some things are left to me. Inquiries of this sort, for instance”.
Sheila's recognition of his authority and supernatural knowledge - as shown in her warnings to Gerald and to her mother .
His statement about the impression he has made on Sheila: “We often do on the young ones”.
His impatience to “get on” with his questioning followed by his statement that he hasn't “much time”. A police officer would take as much time as was needed. It is as if he needs to finish before the moment at which Eva will decide whether or not to end her life.
His saying, “I don't need to know any more”, once he has shown the Birlings and Gerald what each has done.
His final speech, which has nothing to do with criminal law, but which is a lecture on social responsibiility and the perils of ignoring it.
The Birlings' discovery that no such officer is on the local police force.
The Inspector's telling Sheila there is “no reason why” she should “understand about” him
Eric's saying “He was our police inspector all right” followed by Sheila's comment “Well, he inspected us all right”
His foreknowledge of Eva's death.
His intimate knowledge of Eva's life and despite the fact that he never spoke to her
His prediction of a massive social catastrophe (“fire and blood and anguish”) which clearly refers (for the Birlings) to the First World War and (for the audience) to both World Wars.



In the 1954 film of An Inspector Calls, the Inspector does not leave the Birlings' house as in the play: he is left alone in Mr. Birling's study; Birling returns to ask him a question, and finds the room empty. Is this too blatant a way of suggesting that the Inspector is some kind of supernatural or angelic being? Some commentators on the play have suggested that his name contains a pun - it sounds like “Ghoul”.
A “ghoul” is an evil demon, which eats the flesh of the dead, or, metaphorically, a person obsessed by, or who profits by, another's death. After he has gone the Inspector is said by Birling to have exploited Eva's alleged death to frighten the “victims” of his supposed practical joke. Is it more important to know who the Inspector is, or what he has to say? Should Priestley (the playwright) have made him more obviously spooky?



What next?At the end of the play there are many possibilities, and we cannot say with certainty what might happen.
Will the Birlings try to persuade their children to conceal the truth from the real Inspector who is coming?
Will Sheila and Eric insist on openness?
Where will Gerald stand now? (After his clever theory has been disproved - will he realise that Daisy Renton told him of her two sackings? He knew that at least Mr. Birling, Sheila and himself had all influenced the same girl!)



1912 and 1946
This task is suitable for treatment as a written or spoken response. You should consider the question of why a play first performed in 1946 should be set in 1912. Why does Priestley choose this particular time?
In order to answer this you should consider the following points:
The play opens with a scene of great luxury: a wealthy family is celebrating an engagement in a very lavish fashion. This will be obvious to an audience that has spent the years of the Second World War without the luxuries that the Birlings are so abundantly enjoying (rationing of many luxury - and basic - goods continued into the 1950s). Although Churchill (a Conservative) is seen as a war hero for leading the fight against Nazism (he led a coalition government of Labour, Conservative and Liberal elements) a Socialist government has won a landslide victory in the 1945 General Election. Priestley was a supporter of the Labour party, and made many broadcasts on radio in which he tried to persuade people of the merits of socialism.
In order to do this, Priestley sets the play in a time before there was a welfare state in the United Kingdom, and when employers had great power over their workers.

Lower costs and higher pricesWhat is the playwright's view of Mr, Birling's enthusiasm for joining the two wealthy families of Croft and Birling, and his hope that they can work together for “lower costs and higher prices”?
Lower costs are mostly achieved by paying the workers less. Would the audience see this as a good thing?
How would ordinary people feel about higher prices?



The Crofts and the BirlingsAre the two families exactly alike? What differences can you find between Mr. Birling and the Crofts?
Why are the Crofts not present at the celebration?
Comment on the telegram that Sir George and Lady Croft have sent to the Birlings.

Mr. Birling's idea of progress
What is Mr. Birling's view of the likely results of technological change (see his comments on cars and aeroplanes)?
Is he right to link scientific advances with progress in politics and international relations? Why does he believe that there will be no war? How far do we trust his judgement? What do we know that he does not about the future? Consider his comment that the Titanic is unsinkable.

Being above the law (or playing golf with the Chief Constable)
How does the time in which the play is set enable Priestley to portray Mr. Birling as a man who can use his influence to stop the Inspector from continuing with his investigation?
How would an audience view the idea that the rules that apply to ordinary people do not apply to the Birlings of this world?
Do you know of anyone like Mr. Birling (in your own world, in the past, or in fiction), who believes he or she is above the law?



Charity and the welfare stateBecause this is 1912, there is no system of benefit payments for impoverished people; Eva has to approach a committee of which Mrs. Birling is the chairman, but is refused help.
Show how Mrs. Birling exploits her position to make her feel self-important, while denying help to those who really need it.
Do you think she does this for genuinely charitable reasons, or for other motives?
What might these be?
Mrs. Birling claims that her organization has done a lot of good work in deserving cases: is a deserving case, in her opinion, one of genuine need, or one where the applicant pleases her?

Young men and wild oatsThis play depicts a common situation from the early years of the 20th century - young women from the middle classes would not be sexually active before marriage. This has nothing to do with virtue - but much to do with securing a good match. (After marrying, or even becoming widowed or divorced, middle-class and wealthy women could be more active if they chose.) But poorer women could sometimes be seduced in return for material rewards (that would not be so attractive to those with wealth of their own).
How does Gerald's relationship with Eva reflect the moral atttiudes of his class at this time?
Do you think that it is right for Gerald to begin his affair with Eva, when he has no real commitment to her, and would not consider marrying her?
Why can Gerald not marry Eva, and why is he quite ready to marry Sheila Birling, when it is obvious that he does not really love her?
What do we learn from the various references in the play to the Palace Theatre, “women of the town” and the woman who wanted Eva to go to the Theatre bar?
How does Eric's relationship with Eva reinforce the idea that women of Eva's class can be used as playthings by the wealthy, and then discarded?

The customer is always right
Sheila is able to have Eva sacked from Millwards' shop by threatening the manager that her family will close its account there unless Eva goes.
How does this reflect the class system of the time, by showing the enormous influence that a few wealthy people could exercise?
Could the manager have refused?



Silver spoons and spoilt brats
Eric and Sheila have great faults, of which they become ashamed when the Inspector tells them of Eva's fate.
How far are these faults not so much in the children's nature, as the result of the way they have been brought up?
What do we learn about Eric's education, and why might this explain his lack of responsibility?

The honours systemAt the start of the play, Mr. Birling hints to Gerald, that he will soon be knighted (become Sir Arthur Birling) in return for his work in the Conservative Party.
What is the importance in the play of Mr. Birling's knighthood?
Mr. Birling is concerned when he learns of Eva's death - is he more concerned for Eva's suffering or for his knighthood? What does this tell you?
Do you think it right that Mr. Birling should be given a knighthood in return for his active support of a political party?

ConclusionWhen you have looked at all of these ideas, you should consider the question in a more general sense:
The Inspector, in his final speech, tries to show how both the First World War, and the Second, which had just ended when Priestley wrote the play, were the result of attitudes and behaviour such as those of powerful and wealthy families like the Birlings.
This may explain why all the worst features of such families seem to be present in the Birlings: they represent the worst qualities of their class.
Do you think Priestley has made the play's argument more convincing by the inclusion in it of such people, or are they too awful to be believable?
This play is set in 1912. In what ways might you argue that it has a relevance, not only to the Britain of 1946, but also to the country as it is today?

Use of evidenceThis is critical. Always give examples or refer to details in the story to support your comments. You may use quotation, too: lots of short quotation (where the point of quoting is obvious) is better than very lengthy quotations of less obvious relevance. When you quote, introduce with a comma or colon (, or :), and enclose what you quote in inverted commas.

GCSE Literature : Of Mice And Men




Of Mice And Men
Setting: south of San Francisco in the Salinas Valley of California; probably during the Depression of the 1930s; three specific locations - along the banks of the Salinas River near the ranch, in the ranch bunk house, and in the barn .

Background Information:
George Milton has cared for his mentally slow friend, Lennie Small, since the death of Lennie's Aunt Clara. They travel together to work a various amount of jobs so that one day they will have enough money to live on their own and be their own bosses. Unfortunately, every time they have a job, Lennie gets into some trouble which forces them to run away. This time, they are running from a town called Weed to a ranch where they could work as ranch hands.

Major characters:
George Milton: the small, sharp - witted ranch hand who travels with Lennie, George is a typical, realistic hand who uses his mind to anticipate the future
Lennie Small: a physically large man whose mind is slow; he has a short attention span and acts similar to a child; because of his mental limitations, Lennie never could understand or anticipate the consequences of his actions; travels with and is cared for by George
Slim: a wise, well - respected ranch hand whose word is law; master craftsman who knows things without being told
Carlson: ranch hand who is the exact opposite of Slim; coarse and insensitive, Carlson does not understand the feelings of those around him
Candy: the ranch hand who wanted to join the dream of George and Lennie, Candy's one faithful companion was his dog; anticipates the bleakness of the futures of all the other ranch hands
Crooks: named for his crooked body; proud and independent Negro who also is an outcast on the ranch; bitter against racial discrimination against him, but Lennie and Crooks accept each other as time goes on; also wants to join Lennie and George's dream
Curley: the evil son of the boss, Curley is a small, vicious bully who picks on those smaller than he is and attempts to intimidate those larger than he is
Curley's wife: the bitter wife of Curley attempts to seduce the ranch hands; she has a mean streak and is a vehicle for spreading evil.

Themes:
The American Dream: George and Lennie dream to be able to own a place of their own and be their own bosses
Loneliness: Candy's only companion, his dog, is killed
Friendship: George shooting Lennie to help him escape from a brutal lynching
Innocence: Lennie's not understanding why he shouldn't enter Crooks' room
Discrimination: Crooks, as a ranch outcast, lives in a room all alone


The Plot:
The story opens with two traveling laborers, named George Milton and Lennie Small, on their way to a job loading barley at a California ranch. It is Friday evening, and they spend the night along the Salinas River before arriving at their new place of work, a ranch, the next morning. Here, the reader discovers the main personality differences between George and Lennie. Because Lennie is slow mentally, George acts as Lennie's guardian, taking care of the large child. They've been traveling together for a long time, since the passing away of Lennie's Aunt Clara. Also, it's stressed that Lennie's habit of petting soft things, such as a dead mouse or the dress of a woman, often gets them into trouble - forcing the two men to continuously have to find new work. Their dream is to own their own place and be their own bosses in the future. There, Lennie will be able to "tend to the rabbits".
Upon arriving at the ranch, they are met by an old man named Candy and his dog. It is Candy who explains to them the ways of the ranch and the personalities of the other ranch hands. Soon, the boss enters the cabin to visit with his new workers, quite angry that they had been too late for the morning shift. He asks both George and Lennie questions, which George proceeds to answer. Eventually, Lennie answers one question in his own, unintelligent way. George is angry, but the boss is a bit suspicious.
The reader also meets Curley's seductive wife. As usual, she is "looking for her husband" as an excuse to meet and attempt to seduce the other workers. Of course, George and Candy deny her attempts, but Lennie innocently defends her. As George warns Lennie to stay away from her, Lennie shows that he wants to leave, "It's mean here". George agrees to leave once they have enough money to attain their dream.
Slim enters and announces that his dog has had puppies. He discusses with Carlson the idea of killing Candy's old dog and replacing it with one of his puppies. In addition, George agrees to ask Slim if Lennie can also have one. Later, George confides in Slim his relationship with Lennie. He admits that Lennie isn't bright, but obviously a nice person. Lennie not only provides companionship, but makes George feel smart.
Carlson enters and continues to pressure Candy to allow him to kill his dog. Candy gives in when Slim joins in the argument. Later, he overhears George and Lennie talking about their dream and asks to be part of it, offering to advance half of the money they need. Finally, the dreams appears within reach.
Curley enters and begins to taunt and hit Lennie. Lennie, in turn, refuses to fight back until George tells him to. Lennie grabs Curley's hand and begins to flip him about, until he crushes Curley's hand by accident.
Later that night, while George and most of the other ranch hands are visiting a whorehouse, the outcast Lennie enters the room of the other outcast, Crooks. At first, Crooks objects to this invasion of privacy, but eventually Lennie wins him over. Crooks describes the difficulties of discrimination at the ranch, while Lennie speaks of the dream he, George, and Candy share. When Candy enters and speaks of his part attempting to make the dream a reality, then Crooks wants to join them. Curley's wife, looking for company, enters the room. Crooks and Candy argue with her, but she plays up to Lennie. She leaves when George enters the room. George, in turn is angry to know that another man, Crooks, has entered their dream.
The next afternoon, all of the trouble George predicted begins to come true. Lennie, by handling the puppy too much, has broken its neck. As he tries to hide the animal, Curley's wife enters the barn. She talks to Lennie about her life, seemingly seducing him. When she learns of Lennie's love for soft things, she invites him to touch her hair. He does so, but as always, holds on too tight. The woman begins to struggle and yell. Lennie panics, accidentally breaking her neck, just like his puppy.
After Lennie flees, Candy finds the woman's body. He gets George and asks for reassurance that their dream will still be fulfilled, even without Lennie. But, George has already forsaken the vision. He asks Candy to give him a few minutes head start before telling the others. In that time, he steals Carlson's gun - the same one used to kill Candy's dog. George reenters the barn with the others to discover the body and he attempts to convince the men that Lennie should only be put away because he meant no harm. But, Curley insists on lynching and they all go out to look for Lennie.
The final scene occurs at the same riverbank the book opened. Lennie has remembered to return there after he had gotten into trouble. Several visions taunt him, as he realizes the severity of his actions. Lennie asks George to "chew him out", but George does so only halfheartedly. They discuss their dream one last time....George shoots Lennie in the back of the head with Carlson's gun. The other men arrive, and George agrees with their version of the conflict between George and Lennie that brought about the shooting. The men return to the ranch, some sympathizing, some not.


Key Issues:
Loneliness:
Throughout the novel, a main characteristic most of the characters contained was being lonely.
Candy has only his dog as his one companion. Upon the killing of the dog, he has no one and therefore, attaches himself to the dream George and Lennie share. Thus, he will not end up an outcast and therefore, completely alone. Even after Lennie kills Curley's wife and cannot return to his life the way it was before, Candy still wants to carry out the dream.
Crooks feels "...A guys goes nuts if he ain't got nobody. Don't make no difference who the guy is, long's he with you..." He would work for nothing, as long as he could communicate with others.
Curley's wife is so overwhelmed by her loneliness, she seeks friendship from other men. She seeks out the friendship of Lennie for all of the others fear Curley and will have nothing to do with her. "Think I don't like to talk to somebody ever' once in a while?"


The American Dream: Everyone has a dream to strive for. The poor ranch hands wish to be their own bosses, and actually have stability.
George and Lennie have a dream, even before they arrive at their new job on the ranch, to make enough money to live "off the fat of the land" and be their own bosses. Lennie will be permitted, then, to tend the rabbits.
Candy, upon hearing about the dream, wanted to join them so that he would not be left alone, especially after they killed his old dog.
Crooks, the Negro outcast, wanted to join them so that he wouldn't be alone.


Friendship: Every man needs someone to make him feel special.
George and Lennie share a bond so strong that when one is destroyed, the other inevitably is as well. Steinbeck often stresses how ranchers are loners, and George and Lennie are the only ones who travel in pairs. They seem to be two halves of the same person, and they know how special together they truly are. "Guys like us, that work on ranches, are the loneliest guys in the world...They got no family. They don't belong no place...With us, it ain't like that. We got a future. We got somebody to talk to that gives a damn about us..."
Candy's need for the companionship of his dog also stresses the importance of true friendship. For, after the passing of his old dog, Candy attaches himself to the dream Lennie and George share.



Morals/Lessons/Applications:
People need others to talk to to survive. (Crooks' statement about needing someone or going crazy, the attachment of Crooks and Candy to the dream Lennie and George share, Curley's wife seduction of the ranch hands as a buffer against loneliness)
A man's ability to dream is directly attached to having someone to share the dream with. (George lets go of the dream after Lennie is killed.)
Sometimes, even though it's not what you want, you have to do what's best for you and those you love. (George shoots his best friend, Lennie so that Lennie can escape a brutal lynching.)

Film Studies : Genre












Whilst the definition of "genre" is the subject of debate, it is generally agreed that one of the key researchers in this area, was the great film theorist Andre Bazin. Bazin queried why a purely American type of film: the cowboy western, which was about American issues and American history clearly appealed to audiences worldwide irrespective of their culure and background. This led him to develop a theory of genre.
Find out more about Bazin and his research by clicking this link:
http://en.wikipedia.org/wiki/Andre_Bazin

Film Studies : Sound


In your studies you will need to be clear about the differences between diegetic and non-diegetic sound and how they impact on a film.Music, ambient sound and sound effects all figure hugely in films.Possible extracts for you to consider are:The opening of Raiders of the Lost Ark – great for ambient sound, sound effects(whip,gun)and use of music. Also no dialogue from central character, significant toestablishing of character.Face Off – scene ( ) Child listening to ‘Over the Rainbow’ over the top of violentshoot out. – Contrapuntal sound. Also dramatic sound effects in between.A great site with lots of resources on sound ishttp://www.filmsound.org/

Film Studies : Disaster Movies


"The Towering Inferno" website contains excellent information on this landmark disaster movie. Re-live the heated ( sorry! ) rivalry between Newman and McQueen who insisted that they share equal billing and exactly the same number of lines!http://www.thetoweringinferno.info/Also check out the storyboards contained on this website - they are remarkable and good examples for your own storyboarding work.

In the first lessons we will be looking at the key concepts of genre, conventions and audience. One of the genre of films we will be studying is disaster movies. You are required to study this genre of film by the examining body (the people who have created the course you are studying) which is the Welsh Board.

Disaster movies can be broken into sub-genres including natural disasters, monsters, viral, science fiction, documentary etc. It is important to be able to identify the main conventions (features) of a disaster film and to be able to compare and comment on the films you "read".
You should aim to watch as many of the following as possible :
Godzilla
Quatermass and the Pit
World Trade Centre
The Towering Inferno
Dantes' Peak
The Poseidon Adventure (1972)
The Poseidon Adventure (2006)
Dawn of the Dead (2004)
The Day after Tomorrow
Cloverfield
28 Days Later
It is essential that you carry out independent research and "read" as many disaster movies as you can to expand your knowledge and understanding of this genre but also to enable you to comment in much more depth





Tuesday 6 October 2009

GCSE English : Poetry From Other Cultures


Media & Film Studies

Camera Movement


A short presentation which explains how different types of camera movement are achieved as well as the meaning associated with them.


Media & Film Studies

Basic Camera Shots

A useful video tutorial which explains a variety of camera shots and the meaning associated with them.

Monday 5 October 2009

GCSE Film Studies

Camera Angles
A great site highlighting camera angles is "Elements of Cinematography". Follow the link below:
http://accad.osu.edu/~midori/Materials/camera.html

Media Studies
















Visual Grammar

A great activity on visual grammar at

GCSE FIlm Studies



A link to the Welsh Board webpage that deals with your subject. There you will find resources that you can download including a specimen question paper.
http://www.wjec.co.uk/index.php?subject=54&level=7&imageField2.x=55&imageField2.y=18